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Logic Pro 9 Online
Logic 101 & 201 Online Class with SFLogicNinja (David Earl)12-week class
Next Start Date: TBA!Instant Access Available Also!Contact Us: online@pyramind.com
Videos are available for 12-months |
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This 12-week PREMIER Pyramind Online course introduces students to Logic Pro’s primary features and basic user interface. Students learn how to generate a customized audio and MIDI configuration that will seamlessly integrate with their own personal production studio. Students also create their own song using Logic Pro’s comprehensive array of software instruments, Apple Loops and DSP effects. In-depth lessons cover MIDI and audio recording, streamlined editing and arrangement techniques, user defined key commands, automation, scoring to picture and surround mixing. A troubleshooting section helps students to set up and optimize a Logic system effectively.
Instead of being offered over three consecutive days, some Apple Authorized Training Centers (AATCs) offer this course in a Prime Time delivery model. The class is divided into three-hour seminars to allow working professionals to take the course without interrupting their busy schedules.
Course Outline for Logic Online 101:
- Make Music with Logic Pro: Opening Logic, Exploring the Interface, Starting a Project with Apple Loops, Navigating the Project, Building an Arrangement, Mixing the Song, and Exporting the Mix
- Recording Audio:Setting Up Digital Audio Recording Settings, Recording a Single Track, Recording Additional Takes, Recording Multiple Tracks, Punching In and Out (On the Fly and Automatic), Changing Recording and Metronome Settings
- Editing Audio: Comping Takes, Assigning Mouse Tools, Editing Audio Regions in the Arrange Area, Deleting Unused Audio Files, Manipulating the Waveform with the Flex Tool and Editing Audio Destructively in the Sample Editor
- Recording MIDI: Recording MIDI, Quantizing MIDI Recordings, Merging Recordings into a MIDI Region, Recording MIDI Takes, Using Punch Recording, Using Step Input Recording and Filtering Incoming MIDI Events
- Programming and Editing MIDI: Programming in the Piano Roll Editor, Editing a MIDI Recording, Using the Score Editor, Editing Notes with a MIDI Keyboard, Editing Note Velocity Using Hyper Draw, Editing MIDI Continuous Controller Events and Editing in the Event List
- Programming Drums: Programming a Drum Pattern in Ultrabeat, Changing the Groove in the MIDI Editors, Creating a Snare Roll Using the Hyper Editor, Converting a MIDI Sequence into an Audio Region and Converting an Audio Region into a Sampler Instrument Track
- Manipulating Tempo and Time Stretching: Matching the Project Tempo to an Audio Region’s Tempo, Inserting Tempo Changes and Curves, Creating Apple Loops, Changing the Playback Pitch and Speed with Varispeed, Time Stretching and Tempo Matching with Flex Time Editing and Creating a Turntable or Tape Slowdown Effect
- Arranging and Preparing for the Mix: Previewing the Song, Using Existing Material to Fill in Parts, Adding and Deleting Sections, Muting Elements and Cleaning Up Noisy Recordings
- MixingPreviewing the Final Mix, Using the Amp Designer, Using the Pedalboard, Adjusting Levels, Choosing Pan Positions, Choosing EQ Settings, Using Delay and Reverberation, Using Dynamic Processing Plug-ins and Tips and Tricks
- Automating the Mix and Using Control Surfaces: Creating and Editing Offline Automation, Recording Live Automation, Using Control Surfaces and Exporting the Mix
This 12-week PREMIER Pyramind Online course is designed for those who already have a working knowledge of Logic Pro and completely prepares students to earn Logic Pro 9 Level Two certification. Students will learn valuable real-world techniques for music production and editing, mixing, notation, and scoring to picture. Students learn numerous professional secrets for streamlining production workflows and constructing a mix to meet the most exacting standards.
Learn invaluable methods for manipulating tempo and pitch, fine-tuning audio and MIDI tracks, processing MIDI data, managing signal flow, assigning physical controllers, and for getting the most out of Logic’s revolutionary software instruments.
Course Outline for Logic Online 201:
- Speeding Up Your Workflow: Using Project Templates, Creating Your Own Template, Customizing the Interface, Using Key Commands, Accessing the Tool Menu, Saving a Project Template, Opening and Creating Projects Automatically, and Backing Up and Transporting Your Setup
- Working with Time and Pitch: Creating Your Own Apple Loops with the Apple Loops Utility, Using the Time and Pitch Machine, Using Pitch Correction, Using Flex Time, Using Speed Fades, Making Tempo Adjustments with Varispeed and Working with Rubato Passages
- Working with the Logic Synths (part I): Creating Sampler Instruments, Using the EXS24 Instrument Editor, Creating Loop Points, Using the Parameter Window, Creating Multiple Zones from Regions Transients, Using Filters and Modulation to Process the Sound, Using Groups and Routing Individual Sounds for Processing.
- Recording MIDI: Recording MIDI, Quantizing MIDI Recordings, Merging Recordings into a MIDI Region, Recording MIDI Takes, Using Punch Recording, Using Step Input Recording and Filtering Incoming MIDI Events
- Working with the Logic Synths (part II): Understanding the User Interface, Exploring the Oscillator Waveforms, Using Oscillator Modulation to Create Interesting Sounds, Sculpting Your Sound Using the Filters, Using Modulation and Exploring the Output/Processing Section
- Preparing your Mix (Advanced): Navigating the Arrangement, Using Markers, Using Global Edits and Working with Folders, Smoothing Transitions with Crossfades, Fixing Clicks in the Sample Editor, Creating New Parts from Existing Ones, Editing with Mixer Groups, Repairing Drums with Marquee Transient and Editing Drums in Soundtrack Pro, Using Aliases, Working with Region Parameters, Selecting MIDI Events for Editing, Using Transform Functions and Separating MIDI Events Day 3
- The Mix: Importing Channel Strips and Data, Working with the Mixer, Creating Production Notes, Panning Stereo Tracks, Switching the Contents of the Plug-in Window, Changing Plug-in Locations, Using a Plug-in’s Extended Parameters and Using Mixer Groups, Automating an Aux Channel, Copying Automation Data Between Tracks, Scaling Automated Values, Applying Automation to Multiple Tracks at Once and Using Control Surfaces
- The Environment: Navigating within the Environment, Creating Environment Objects, Creating Signal Chains and Using Touch Tracks Objects
- Post Production
PremierNext Start Date: April 15th, 2013
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